Francesco Hayez
1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.

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Francesco Hayez Vase of Flowers on the Window of a Harem oil painting


Vase of Flowers on the Window of a Harem
Vase of Flowers on the Window of a Harem (1881) Pinacoteca di Brera, Milan
Painting ID::  59335
Francesco Hayez
Vase of Flowers on the Window of a Harem
Vase of Flowers on the Window of a Harem (1881) Pinacoteca di Brera, Milan
   
   
     

Francesco Hayez Rinaldo und Armida oil painting


Rinaldo und Armida
1814 oil on canvas 198 ?? 295 cm
Painting ID::  66421
Francesco Hayez
Rinaldo und Armida
1814 oil on canvas 198 ?? 295 cm
   
   
     

Francesco Hayez Der Kub oil painting


Der Kub
Medium Oil on canvas Dimensions Expression error: Missing operand for *110 ?? 88 cm
Painting ID::  70553
Francesco Hayez
Der Kub
Medium Oil on canvas Dimensions Expression error: Missing operand for *110 ?? 88 cm
   
   
     

Francesco Hayez Odaliske mit Buch oil painting


Odaliske mit Buch
Medium Oil on canvas Dimensions Expression error: Missing operand for *92 ?? 75 cm
Painting ID::  70723
Francesco Hayez
Odaliske mit Buch
Medium Oil on canvas Dimensions Expression error: Missing operand for *92 ?? 75 cm
   
   
     

Francesco Hayez Ulysses at the court of Alcinous oil painting


Ulysses at the court of Alcinous
Medium Oil on canvas Dimensions 381 x 535 cm
Painting ID::  70948
Francesco Hayez
Ulysses at the court of Alcinous
Medium Oil on canvas Dimensions 381 x 535 cm
   
   
     

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     Francesco Hayez
     1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.

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